Based on a close reading of Ridley Scott’s war film Black Hawk Down (USA 2001; BHD). the present article investigates the formal properties through which a certain strain of war and action movies discursively constitutes the other – the enemy – as less than human. I develop the argument that the emergent relation between friend and foe in these films can be read through the concept of... https://thegreensjunglebeautyshops.shop/product-category/face/